CREATORVET · CREATOR DATA

Small creators
don’t engage
better

143,000 channels · biggest reach 2,500x the smallest

31 August 2026 · 6 min read

"Smaller creators have more engaged audiences" is one of the most repeated lines in influencer marketing. It is the whole reason brands pay a premium for tiny channels. We checked it across about 143,000 of them. Mostly, it isn't true — and where it is true, it's true for reasons nobody mentions.

The claim

You have heard the pitch. A creator with 8,000 subscribers has a real community who know them by name. One with eight million has a crowd who scroll past. So pay less, get more warmth per view, and work with lots of small people instead of one big one.

It is a nice story and it moves a lot of money. It is also the kind of claim you can just go and check.

What "engaged" actually means here

When people say engagement they usually mean this: of everyone who watched a video, what share bothered to like or comment on it. Ten thousand views and three hundred likes is 3%.

It is a fair thing to care about. A video people watch and immediately forget is worth less than one they react to.

The result

We sorted all 143,000 channels by how many people actually watch them, then split them into ten equal groups — the smallest tenth, the next tenth, and so on up to the biggest.

The gap between the ends is enormous. A typical channel in the smallest group gets about 2,800 views a month. In the biggest group, about 6.8 million. That is roughly 2,500 times more people.

And engagement across that entire range? It goes from 3.06% down to 2.06%.

The audience gets bigger. It does not get less keen.

The same ten groups of channels, smallest to biggest, measured two ways.

The audience gets bigger. It does not get less keen.HOW MANY PEOPLE WATCH, PER MONTH10k100k1Mgroup 1 of 10: about 2,758 views a monthgroup 2 of 10: about 9,935 views a monthgroup 3 of 10: about 24,561 views a monthgroup 4 of 10: about 50,306 views a monthgroup 5 of 10: about 97,181 views a monthgroup 6 of 10: about 182,373 views a monthgroup 7 of 10: about 345,975 views a monthgroup 8 of 10: about 697,362 views a monthgroup 9 of 10: about 1,633,804 views a monthgroup 10 of 10: about 6,845,123 views a month2,500× biggerSHARE WHO LIKE OR COMMENT0%2%4%group 1 of 10: 3.06% like or commentgroup 2 of 10: 2.8% like or commentgroup 3 of 10: 2.77% like or commentgroup 4 of 10: 2.83% like or commentgroup 5 of 10: 2.9% like or commentgroup 6 of 10: 2.84% like or commentgroup 7 of 10: 2.76% like or commentgroup 8 of 10: 2.61% like or commentgroup 9 of 10: 2.35% like or commentgroup 10 of 10: 2.06% like or commentbarely moveschannel groups, smallest → biggest
The lower chart starts at zero on purpose. Zoom in on it and that almost-flat line would look like a collapse — which is how this finding usually gets reported. About 143,000 channels, 31 August 2026.

The audience gets vastly bigger. It barely gets less enthusiastic.

There is a real decline at the very top, and we are not going to wave it away. But "the very biggest channels get a bit less reaction" is a far smaller claim than "small creators have dramatically more engaged audiences" — and it is the second one people are being charged for.

The bit that surprised us

Sort by subscriber count instead, and engagement doesn't slide downwards at all. It rises through the small and middle sizes, peaks, and only then falls:

Channel sizeTypical engagement
1,000 – 10,000 subscribers2.41%
10,000 – 100,0002.80%
100,000 – 500,0002.94%
500,000 – 1 million2.86%
1 – 10 million2.53%
Over 10 million1.53%
About 143,000 channels. The peak is in the middle, not at the bottom.

The most engaged channels are not the smallest ones. They are the ones in the middle, around a few hundred thousand subscribers. The very smallest channels score below them.

Whatever is behind the small-creator premium, "their audiences react more than everyone else's" isn't it.

It depends enormously on what they make

Here is the part we would actually act on. Averages across all of YouTube hide the useful bit, because different subjects behave completely differently:

SubjectSmallest channelsBiggest channelsDifference
Technology2.57%2.63%None
Cars2.28%2.23%None
Pop culture3.22%2.47%Small
Gaming3.99%2.35%Noticeable
Hobbies3.58%1.79%Halves
Music3.79%1.73%Halves
The same test, run inside each subject. Between 6,900 and 8,500 channels per row.

In technology and cars, size makes no difference at all to engagement. A huge tech channel gets the same reaction rate as a tiny one. Paying a premium for a small tech creator on engagement grounds is paying for something that isn't there.

In music and hobbies, engagement genuinely does roughly halve as channels get bigger. There, the small-creator argument has something behind it.

So the honest version isn't "small creators engage better" or "small creators don't engage better". It is: in some subjects it matters a lot, in others not at all — and a plan built on the overall average will be wrong in both directions at once.

Likes and comments aren't the same thing

One more thing worth knowing, because it changes which number to trust.

Split engagement into its two halves and they behave very differently as channels grow. The share of viewers who like a video barely changes. The share who comment falls off sharply — by about five and a half times across the same range.

Comments are a much bigger ask than a like, and on a huge channel a comment feels like shouting into a stadium. So if your engagement number leans on comments, you are mostly measuring channel size wearing a disguise, and comparing a small creator's comment rate to a big one's is close to meaningless.

What to do with this

Engagement rate sits between roughly 2% and 3% for almost everybody. It is a narrow band, which means it can't do much to separate one creator from another — most of the wobble inside it is noise, not a signal about audience quality.

Two things do vary hugely, and are worth choosing on. The first is how many people actually watch — that spans a factor of 2,500, and it is the thing you are really buying. The second is how a creator compares to others making the same kind of content, because a typical cooking channel and a typical finance channel sit in genuinely different places, and judging both against one number punishes whole subjects for no reason.